
The new Bob Dylan Broadway show,
The Times They Are A-Changin’, opened last week and was
universally panned. At this rate, its run promises to be shorter than “Sad-Eyed Lady of the Lowlands.”
The show was Dylan’s idea, and he brought it to famed choreographer Twyla Tharp, who came up with the idea of staging Dylan's tunes in a traveling circus. Twyla had also done the Billy Joel “jukebox musical”
Movin’ Out. Unlike the Dylan show,
Movin’ Out was a hit with critics and audiences alike. No wonder: Joel’s songs, like “Scenes from an Italian Restaurant” and
“Piano Man” were already show tunes. They just needed a show. Yet a Dylan epic like
“Desolation Row” which is featured in
Times, has
lyrics to flummox even the most flamboyant choreographer:
And Ezra Pound and T. S. Eliot
Fighting in the captain's tower
While calypso singers laugh at them
And fishermen hold flowersHow does one translate this to the stage? I suppose said choreographer would start with a trip to the local Party City to pick up some Ezra Pound and T.S. Eliot costumes (if they aren’t sold out), swing by the florist, pick up a raincoat and a fishing rod, then have your cast gyrate violently across the stage somewhere in the vicinity of a captain’s tower and some laughing calypso singers. I smell Tony!
The last thing Dylan fans want from his songs is some old-fashioned Broadway razzle-dazzle. We want our Dylan wise, road-weary and a little cranky. We don’t want our tragicomic imagery spoon-fed to us, we want it to take 3 verses to figure out what song he’s singing, even though we’ve heard it hundreds of times. We want Dylan with a guitar (or these days, piano) and the harmonica around his neck, not “interpreted” by refugees from the touring company from
Hairspray.
Anyone who knows anything about Dylan knows that there is no more horrific synthesis in the arts than Dylan music and interpretive dance. Didn’t
Soy Bomb teach us anything?
If Broadway is looking for a rock legend to bastardize, how about Meat Loaf?
Bat Out of Hell III just came out. There’s an over-the-top, long-running Broadway show waiting in the Loaf. “Paradise by the Dashboard Light: held over for six more weeks! Now starring Horatio Sanz!”